Composed Tension in Light and Shadow
Szuti Tsai , Creative Director of ST design studio
A Design That Breathes
𝖨𝗍’𝗌 𝗁𝖺𝗋𝖽 𝗍𝗈 𝖽𝖾𝗌𝖼𝗋𝗂𝖻𝖾 𝖲𝗓𝗎𝗍𝗂 𝖳𝗌𝖺𝗂’𝗌 𝗁𝗈𝗆𝖾 𝗐𝗂𝗍𝗁 𝖼𝗈𝗇𝗏𝖾𝗇𝗍𝗂𝗈𝗇𝖺𝗅 𝗅𝖺𝖻𝖾𝗅𝗌. 𝖳𝗁𝖾𝗋𝖾’𝗌 𝗇𝗈 𝗍𝗋𝖺𝖽𝗂𝗍𝗂𝗈𝗇𝖺𝗅 𝗅𝖺𝗒𝗈𝗎𝗍 𝗈𝗋 𝗌𝗍𝖺𝗇𝖽𝖺𝗋𝖽 𝗓𝗈𝗇𝗂𝗇𝗀. 𝖨𝗇𝗌𝗍𝖾𝖺𝖽, 𝗍𝗁𝖾 𝗌𝗉𝖺𝖼𝖾 𝗂𝗌 𝗆𝖺𝖽𝖾 𝗎𝗉 𝗈𝖿 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖻𝗅𝗈𝖼𝗄𝗌—𝗈𝗉𝖾𝗇, 𝖿𝗅𝖾𝗑𝗂𝖻𝗅𝖾, 𝖺𝗇𝖽 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝗂𝗏𝖾 𝗍𝗈 𝗍𝗁𝖾 𝗌𝗁𝗂𝖿𝗍𝗂𝗇𝗀 𝗋𝗁𝗒𝗍𝗁𝗆𝗌 𝗈𝖿 𝖽𝖺𝗂𝗅𝗒 𝗅𝗂𝖿𝖾.
“𝖬𝗒 𝖽𝖾𝗌𝗂𝗀𝗇 𝗂𝗌𝗇'𝗍 𝖺𝖻𝗈𝗎𝗍 𝖽𝗈𝗂𝗇𝗀 𝗅𝖾𝗌𝗌, 𝗂𝗍'𝗌 𝖺𝖻𝗈𝗎𝗍 𝗂𝖽𝖾𝗇𝗍𝗂𝖿𝗒𝗂𝗇𝗀 𝗐𝗁𝖺𝗍 𝗍𝗋𝗎𝗅𝗒 𝗆𝖺𝗍𝗍𝖾𝗋𝗌 𝗍𝗈 𝗆𝖾.”
𝖳𝗁𝖾𝗋𝖾 𝖺𝗋𝖾 𝗇𝗈 𝖿𝗂𝗑𝖾𝖽 𝖼𝗂𝗋𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗉𝖺𝗍𝗁𝗌. 𝖤𝖺𝖼𝗁 𝖺𝗋𝖾𝖺 𝖿𝖾𝖾𝗅𝗌 𝗅𝗂𝗄𝖾 𝖺 𝖿𝗅𝗈𝖺𝗍𝗂𝗇𝗀 𝗂𝗌𝗅𝖺𝗇𝖽—𝖼𝗈𝗇𝗇𝖾𝖼𝗍𝖾𝖽, 𝗒𝖾𝗍 𝗁𝖾𝗅𝖽 𝗂𝗇 𝗌𝗎𝖻𝗍𝗅𝖾 𝗍𝖾𝗇𝗌𝗂𝗈𝗇 𝖺𝗇𝖽 𝖽𝗂𝗌𝗍𝖺𝗇𝖼𝖾. 𝖳𝗁𝖾 𝖽𝖾𝗌𝗂𝗀𝗇 𝖽𝖾𝗇𝗌𝗂𝗍𝗒 𝗂𝗌 𝗂𝗇𝗍𝖾𝗇𝗍𝗂𝗈𝗇𝖺𝗅𝗅𝗒 𝗋𝖾𝗌𝗍𝗋𝖺𝗂𝗇𝖾𝖽, 𝖺𝗅𝗆𝗈𝗌𝗍 𝗐𝗁𝗂𝗌𝗉𝖾𝗋-𝗅𝗂𝗄𝖾. 𝖳𝗁𝖾 𝖻𝗈𝗅𝖽𝖾𝗌𝗍 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝗂𝗈𝗇𝗌 𝗁𝗂𝖽𝖾 𝗂𝗇 𝗍𝗁𝖾 𝗂𝗇-𝖻𝖾𝗍𝗐𝖾𝖾𝗇: 𝗐𝗁𝖾𝗋𝖾 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅𝗌 𝗆𝖾𝖾𝗍, 𝗐𝗁𝖾𝗋𝖾 𝗅𝗂𝗀𝗁𝗍 𝗌𝗁𝗂𝖿𝗍𝗌, 𝗐𝗁𝖾𝗋𝖾 𝖾𝗏𝖾𝗇 𝗍𝗁𝖾 𝗍𝗁𝗂𝖼𝗄𝗇𝖾𝗌𝗌 𝗈𝖿 𝗇𝖾𝗀𝖺𝗍𝗂𝗏𝖾 𝗌𝗉𝖺𝖼𝖾 𝗁𝗈𝗅𝖽𝗌 𝗆𝖾𝖺𝗇𝗂𝗇𝗀.
𝖲𝗓𝗎𝗍𝗂 𝖳𝗌𝖺𝗂 𝖾𝗆𝖻𝗋𝖺𝖼𝖾𝗌 𝗍𝗁𝖾 𝗂𝖽𝖾𝖺 𝗈𝖿 “𝗎𝗇𝖾𝗏𝖾𝗇 𝗐𝖾𝗂𝗀𝗁𝗍” 𝗂𝗇 𝗌𝗉𝖺𝗍𝗂𝖺𝗅 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝗂𝗈𝗇. 𝖲𝗁𝖾 𝖽𝗈𝖾𝗌𝗇'𝗍 𝖼𝗁𝖺𝗌𝖾 𝗉𝖾𝗋𝖿𝖾𝖼𝗍 𝗉𝗋𝗈𝗉𝗈𝗋𝗍𝗂𝗈𝗇𝗌 𝗈𝗋 𝖿𝗎𝗅𝗅𝗒 𝗋𝖾𝗌𝗈𝗅𝗏𝖾𝖽 𝖽𝖾𝗌𝗂𝗀𝗇𝗌. 𝖨𝗇𝗌𝗍𝖾𝖺𝖽, 𝗌𝗁𝖾 𝗅𝖾𝖺𝗏𝖾𝗌 𝗋𝗈𝗈𝗆 𝖿𝗈𝗋 𝖺𝗂𝗋, 𝖿𝗈𝗋 𝗍𝗁𝖾 𝗌𝗉𝖺𝖼𝖾 𝗍𝗈 𝖻𝗋𝖾𝖺𝗍𝗁𝖾. 𝖳𝗈 𝗁𝖾𝗋, 𝖽𝖾𝗌𝗂𝗀𝗇 𝖾𝗑𝗂𝗌𝗍𝗌 𝗂𝗇 𝗍𝗁𝖾 𝗀𝖺𝗉𝗌 𝖻𝖾𝗍𝗐𝖾𝖾𝗇 𝗌𝗉𝖺𝖼𝖾𝗌—𝗐𝗁𝖾𝗋𝖾 𝖾𝗏𝖾𝗇 𝗍𝗁𝖾 𝗌𝗂𝗆𝗉𝗅𝖾𝗌𝗍 𝖼𝗁𝗈𝗂𝖼𝖾𝗌 𝖺𝗋𝖾 𝗀𝗋𝗈𝗎𝗇𝖽𝖾𝖽 𝗂𝗇 𝖽𝖾𝖾𝗉 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝗍𝗂𝗈𝗇.
A Career for Living in One’s Own World
“𝖶𝗁𝖾𝗇 𝖨 𝗐𝖺𝗌 𝗍𝖾𝗇, 𝖨 𝖽𝗋𝖾𝖺𝗆𝖾𝖽 𝗈𝖿 𝖻𝖾𝖼𝗈𝗆𝗂𝗇𝗀 𝖺 𝗏𝖾𝗍𝖾𝗋𝗂𝗇𝖺𝗋𝗂𝖺𝗇.”𝖳𝗌𝖺𝗂 𝗁𝖺𝗌 𝖺𝗅𝗐𝖺𝗒𝗌 𝗅𝗈𝗏𝖾𝖽 𝖺𝗇𝗂𝗆𝖺𝗅𝗌. 𝖡𝗎𝗍 𝗐𝗂𝗍𝗁𝗂𝗇 𝗍𝗁𝖾 𝗋𝗂𝗀𝗂𝖽 𝖺𝖼𝖺𝖽𝖾𝗆𝗂𝖼 𝗌𝗒𝗌𝗍𝖾𝗆 𝗂𝗇 𝖳𝖺𝗂𝗐𝖺𝗇, 𝗍𝗁𝖺𝗍 𝗉𝖺𝗍𝗁 𝖻𝖾𝗀𝖺𝗇 𝗍𝗈 𝖿𝖾𝖾𝗅 𝗂𝗇𝖼𝗋𝖾𝖺𝗌𝗂𝗇𝗀𝗅𝗒 𝖽𝗂𝗌𝗍𝖺𝗇𝗍. 𝖲𝗁𝖾 𝗌𝗍𝖺𝗋𝗍𝖾𝖽 𝗐𝗈𝗇𝖽𝖾𝗋𝗂𝗇𝗀: 𝖨𝗌 𝗍𝗁𝖾𝗋𝖾 𝖺 𝗃𝗈𝖻 𝗍𝗁𝖺𝗍 𝗅𝖾𝗍𝗌 𝗆𝖾 𝗅𝗂𝗏𝖾 𝗂𝗇 𝗆𝗒 𝗈𝗐𝗇 𝗐𝗈𝗋𝗅𝖽? 𝖶𝗂𝗍𝗁 𝖺 𝗀𝗂𝖿𝗍 𝖿𝗈𝗋 𝗏𝗂𝗌𝗎𝖺𝗅 𝖺𝗋𝗍𝗌, 𝗌𝗁𝖾 𝗉𝗂𝗏𝗈𝗍𝖾𝖽 𝗍𝗈 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖾—𝖺 𝖽𝗂𝗌𝖼𝗂𝗉𝗅𝗂𝗇𝖾 𝗐𝗁𝖾𝗋𝖾 𝗌𝗁𝖾 𝖼𝗈𝗎𝗅𝖽 𝖿𝗋𝖾𝖾𝗅𝗒 𝖼𝗈𝗇𝗌𝗍𝗋𝗎𝖼𝗍 𝖺𝗇𝖽 𝗋𝖾𝖺𝗅𝗂𝗓𝖾 𝗁𝖾𝗋 𝗂𝗇𝗇𝖾𝗋 𝗏𝗂𝗌𝗂𝗈𝗇𝗌.
𝖠 𝖿𝗈𝗋𝗆𝖺𝗍𝗂𝗏𝖾 𝗍𝗋𝗂𝗉 𝗍𝗈 𝖤𝗎𝗋𝗈𝗉𝖾 𝖽𝗎𝗋𝗂𝗇𝗀 𝗁𝖾𝗋 𝖿𝗋𝖾𝗌𝗁𝗆𝖺𝗇 𝗒𝖾𝖺𝗋 𝗈𝗉𝖾𝗇𝖾𝖽 𝗁𝖾𝗋 𝖾𝗒𝖾𝗌. 𝖳𝗁𝖾 𝗅𝗂𝖿𝖾𝗌𝗍𝗒𝗅𝖾, 𝗎𝗋𝖻𝖺𝗇 𝗍𝖾𝗑𝗍𝗎𝗋𝖾𝗌, 𝖺𝗇𝖽 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖺𝗅 𝗉𝗋𝗈𝗉𝗈𝗋𝗍𝗂𝗈𝗇𝗌 𝗈𝖿 𝖤𝗎𝗋𝗈𝗉𝖾𝖺𝗇 𝖼𝗂𝗍𝗂𝖾𝗌 𝗅𝖾𝖿𝗍 𝖺 𝖽𝖾𝖾𝗉 𝗂𝗆𝗉𝗋𝖾𝗌𝗌𝗂𝗈𝗇. 𝖥𝗋𝗎𝗌𝗍𝗋𝖺𝗍𝖾𝖽 𝗐𝗂𝗍𝗁 𝗍𝗁𝖾 𝖾𝗅𝗎𝗌𝗂𝗏𝖾 𝗌𝖾𝗇𝗌𝖾 𝗈𝖿 𝗉𝗎𝗋𝗉𝗈𝗌𝖾 𝗂𝗇 𝖳𝖺𝗂𝗐𝖺𝗇’𝗌 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖺𝗅 𝖾𝖽𝗎𝖼𝖺𝗍𝗂𝗈𝗇, 𝗌𝗁𝖾 𝖾𝗏𝖾𝗇𝗍𝗎𝖺𝗅𝗅𝗒 𝖼𝗁𝗈𝗌𝖾 𝗍𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖾 𝗁𝖾𝗋 𝗃𝗈𝗎𝗋𝗇𝖾𝗒 𝗂𝗇 𝗍𝗁𝖾 𝖭𝖾𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽𝗌.
“𝖨𝗇 𝖳𝖺𝗂𝗐𝖺𝗇, 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖺𝗅 𝖾𝖽𝗎𝖼𝖺𝗍𝗂𝗈𝗇 𝗅𝖾𝖺𝗇𝗌 𝗆𝗈𝗋𝖾 𝗍𝗈𝗐𝖺𝗋𝖽 𝗉𝗁𝗂𝗅𝗈𝗌𝗈𝗉𝗁𝗂𝖼𝖺𝗅 𝗂𝗇𝗊𝗎𝗂𝗋𝗒, 𝖿𝗈𝖼𝗎𝗌𝗂𝗇𝗀 𝗈𝗇 𝗂𝖽𝖾𝖺𝗅𝗌 𝖺𝗇𝖽 𝖺𝖾𝗌𝗍𝗁𝖾𝗍𝗂𝖼𝗌. 𝖨𝗇 𝗍𝗁𝖾 𝖭𝖾𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽𝗌, 𝗂𝗍'𝗌 𝖿𝖺𝗋 𝗆𝗈𝗋𝖾 𝗉𝗋𝖺𝗀𝗆𝖺𝗍𝗂𝖼—𝖺𝖻𝗈𝗎𝗍 𝗌𝗍𝗋𝗎𝖼𝗍𝗎𝗋𝖾, 𝖿𝗎𝗇𝖼𝗍𝗂𝗈𝗇, 𝖺𝗇𝖽 𝗁𝗈𝗐 𝗍𝗈 𝗋𝖾𝖺𝖽 𝖻𝗈𝗍𝗁 𝗅𝖺𝗋𝗀𝖾 𝖺𝗇𝖽 𝗌𝗆𝖺𝗅𝗅 𝗌𝖼𝖺𝗅𝖾𝗌. 𝖤𝗏𝖾𝗇 𝖽𝗈𝗐𝗇 𝗍𝗈 𝗁𝗈𝗐 𝗍𝗁𝖾 𝗌𝗎𝗇 𝗆𝗈𝗏𝖾𝗌 𝖺𝖼𝗋𝗈𝗌𝗌 𝗍𝗁𝖾 𝗌𝗄𝗒.” 𝖳𝗁𝖾𝗌𝖾 𝗍𝗐𝗈 𝗈𝗉𝗉𝗈𝗌𝗂𝗇𝗀 𝗌𝗒𝗌𝗍𝖾𝗆𝗌—𝗂𝗇𝗍𝗋𝗈𝗌𝗉𝖾𝖼𝗍𝗂𝗏𝖾 𝖺𝗇𝖽 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖺𝗅—𝗂𝗇𝗍𝖾𝗋𝗍𝗐𝗂𝗇𝖾𝖽 𝗍𝗈 𝗌𝗁𝖺𝗉𝖾 𝗁𝖾𝗋 𝗎𝗇𝗂𝗊𝗎𝖾 𝖽𝖾𝗌𝗂𝗀𝗇 𝗏𝗈𝗂𝖼𝖾: 𝖿𝗋𝖾𝖾 𝗒𝖾𝗍 𝗅𝗈𝗀𝗂𝖼𝖺𝗅, 𝖺𝖻𝗌𝗍𝗋𝖺𝖼𝗍 𝗒𝖾𝗍 𝗀𝗋𝗈𝗎𝗇𝖽𝖾𝖽.
Beauty Lies in Tension
“𝖨’𝗆 𝗈𝖻𝗌𝖾𝗌𝗌𝖾𝖽 𝗐𝗂𝗍𝗁 𝗍𝗁𝖾 𝗆𝗒𝗌𝗍𝖾𝗋𝗒 𝗈𝖿 𝗇𝖺𝗍𝗎𝗋𝖾,” 𝗌𝗁𝖾 𝗌𝖺𝗒𝗌.𝖳𝗌𝖺𝗂 𝖽𝗈𝖾𝗌𝗇’𝗍 𝖼𝖺𝗋𝖾 𝖿𝗈𝗋 𝗈𝗏𝖾𝗋𝗅𝗒 𝗆𝖺𝗍𝖼𝗁𝗒-𝗆𝖺𝗍𝖼𝗁𝗒 𝗌𝗍𝗒𝗅𝗂𝗇𝗀. 𝖲𝗁𝖾 𝖻𝖾𝗅𝗂𝖾𝗏𝖾𝗌 𝖻𝖾𝖺𝗎𝗍𝗒 𝗈𝖿𝗍𝖾𝗇 𝖾𝗆𝖾𝗋𝗀𝖾𝗌 𝖿𝗋𝗈𝗆 𝗍𝖾𝗇𝗌𝗂𝗈𝗇—𝗇𝗈𝗍 𝖺𝗌 𝖿𝗈𝗋𝖼𝖾𝖽 𝖼𝗈𝗇𝗍𝗋𝖺𝗌𝗍, 𝖻𝗎𝗍 𝖺𝗌 𝖺 𝗇𝖺𝗍𝗎𝗋𝖺𝗅, 𝗂𝗇𝗍𝗎𝗂𝗍𝗂𝗏𝖾 𝖽𝗂𝖺𝗅𝗈𝗀𝗎𝖾.𝖨𝗇 𝗁𝖾𝗋 𝗁𝗈𝗆𝖾, 𝗒𝗈𝗎’𝗅𝗅 𝖿𝗂𝗇𝖽 𝗋𝖺𝗐 𝖺𝗀𝖺𝗂𝗇𝗌𝗍 𝗋𝖾𝖿𝗂𝗇𝖾𝖽, 𝖼𝗈𝗅𝖽 𝖻𝖾𝗌𝗂𝖽𝖾 𝗐𝖺𝗋𝗆—𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅𝗌 𝗐𝗂𝗍𝗁 𝖼𝗈𝗇𝗍𝗋𝖺𝗌𝗍𝗂𝗇𝗀 𝗍𝖾𝗑𝗍𝗎𝗋𝖾𝗌 𝖼𝗈𝖾𝗑𝗂𝗌𝗍𝗂𝗇𝗀 𝗂𝗇 𝗁𝖺𝗋𝗆𝗈𝗇𝗒. 𝖨𝗍’𝗌 𝖺 𝗅𝖺𝗇𝗀𝗎𝖺𝗀𝖾 𝗈𝖿 𝗂𝗆𝗉𝖾𝗋𝖿𝖾𝖼𝗍 𝖻𝖾𝖺𝗎𝗍𝗒, 𝗐𝗁𝖾𝗋𝖾 𝗌𝗉𝖺𝖼𝖾 𝖿𝖾𝖾𝗅𝗌 𝖺𝗅𝗂𝗏𝖾. 𝖭𝗈𝗍 𝖺 𝗌𝗍𝖺𝗍𝗂𝖼 𝗌𝗁𝗈𝗐𝖼𝖺𝗌𝖾, 𝖻𝗎𝗍 𝖺 𝖽𝗒𝗇𝖺𝗆𝗂𝖼 𝖾𝗇𝗏𝗂𝗋𝗈𝗇𝗆𝖾𝗇𝗍 𝗍𝗁𝖺𝗍 𝖻𝗋𝖾𝖺𝗍𝗁𝖾𝗌 𝖺𝗇𝖽 𝖾𝗏𝗈𝗅𝗏𝖾𝗌.
Painting Space with Light
“𝖫𝗂𝗀𝗁𝗍𝗂𝗇𝗀 𝖿𝗂𝗑𝗍𝗎𝗋𝖾𝗌 𝖺𝗋𝖾 𝗅𝗂𝗀𝗁𝗍 𝗌𝗈𝗎𝗋𝖼𝖾𝗌—𝗍𝗁𝖾𝗒 𝗌𝗉𝖾𝖺𝗄 𝗍𝗈 𝗌𝗉𝖺𝖼𝖾 𝗆𝗈𝗌𝗍 𝖽𝗂𝗋𝖾𝖼𝗍𝗅𝗒.”
𝖳𝗌𝖺𝗂 𝗂𝗌 𝖼𝗅𝖾𝖺𝗋 𝖺𝖻𝗈𝗎𝗍 𝗁𝖾𝗋 𝗅𝗂𝗀𝗁𝗍𝗂𝗇𝗀 𝗉𝗁𝗂𝗅𝗈𝗌𝗈𝗉𝗁𝗒. 𝖲𝗁𝖾 𝖺𝗏𝗈𝗂𝖽𝗌 𝗋𝖾𝗅𝗒𝗂𝗇𝗀 𝗈𝗇 𝗋𝖾𝖼𝖾𝗌𝗌𝖾𝖽 𝗈𝗋 𝗈𝗏𝖾𝗋𝗅𝗒 𝗎𝗇𝗂𝖿𝗈𝗋𝗆 𝖺𝗆𝖻𝗂𝖾𝗇𝗍 𝗅𝗂𝗀𝗁𝗍𝗂𝗇𝗀 (𝖺𝗇𝖽 𝖾𝗏𝖾𝗇 𝖼𝗁𝖺𝗅𝗅𝖾𝗇𝗀𝖾𝗌 𝗁𝖾𝗋𝗌𝖾𝗅𝖿 𝗍𝗈 𝗎𝗌𝖾 𝖺𝗌 𝖿𝖾𝗐 𝖽𝗈𝗐𝗇𝗅𝗂𝗀𝗁𝗍𝗌 𝖺𝗌 𝗉𝗈𝗌𝗌𝗂𝖻𝗅𝖾). 𝖨𝗇𝗌𝗍𝖾𝖺𝖽, 𝗌𝗁𝖾 𝗉𝗋𝖾𝖿𝖾𝗋𝗌 𝖺 𝗅𝖺𝗒𝖾𝗋𝖾𝖽 𝖺𝗉𝗉𝗋𝗈𝖺𝖼𝗁: 𝗆𝗂𝗑𝗂𝗇𝗀 𝗅𝗂𝗀𝗁𝗍 𝖺𝗍 𝖽𝗂𝖿𝖿𝖾𝗋𝖾𝗇𝗍 𝗁𝖾𝗂𝗀𝗁𝗍𝗌 𝗍𝗈 𝖼𝗋𝖾𝖺𝗍𝖾 𝖽𝖾𝗉𝗍𝗁 𝖺𝗇𝖽 𝖺 𝗌𝖾𝗇𝗌𝖾 𝗈𝖿 𝗆𝗈𝗏𝖾𝗆𝖾𝗇𝗍.
“𝖣𝗈𝗇’𝗍 𝖻𝖾 𝖺𝖿𝗋𝖺𝗂𝖽 𝗍𝗈 𝖻𝗋𝖾𝖺𝗄 𝗍𝗁𝖾 𝗋𝗎𝗅𝖾𝗌.”
𝖲𝗁𝖾 𝗋𝖾𝖼𝖺𝗅𝗅𝗌 𝗌𝗍𝖺𝗒𝗂𝗇𝗀 𝖺𝗍 𝖧𝗈𝗍𝖾𝗅 𝖪𝟧 𝗂𝗇 𝖳𝗈𝗄𝗒𝗈, 𝗐𝗁𝖾𝗋𝖾 𝖺 𝗆𝖺𝗌𝗌𝗂𝗏𝖾 𝗉𝖺𝗉𝖾𝗋 𝗅𝖺𝗇𝗍𝖾𝗋𝗇 𝗁𝗎𝗇𝗀 𝖽𝗂𝗋𝖾𝖼𝗍𝗅𝗒 𝖺𝖻𝗈𝗏𝖾 𝗍𝗁𝖾 𝖻𝖾𝖽. 𝖶𝗁𝗂𝗅𝖾 𝗎𝗇𝖼𝗈𝗇𝗏𝖾𝗇𝗍𝗂𝗈𝗇𝖺𝗅, 𝗍𝗁𝖾 𝖾𝗑𝗉𝖾𝗋𝗂𝖾𝗇𝖼𝖾 𝗐𝖺𝗌 𝗎𝗇𝖾𝗑𝗉𝖾𝖼𝗍𝖾𝖽𝗅𝗒 𝗌𝗈𝗈𝗍𝗁𝗂𝗇𝗀. 𝖨𝗍 𝗋𝖾𝖺𝖿𝖿𝗂𝗋𝗆𝖾𝖽 𝗁𝖾𝗋 𝖻𝖾𝗅𝗂𝖾𝖿 𝗍𝗁𝖺𝗍 𝗌𝗍𝖾𝗉𝗉𝗂𝗇𝗀 𝗈𝗎𝗍𝗌𝗂𝖽𝖾 𝗍𝗁𝖾 𝗇𝗈𝗋𝗆 𝖼𝖺𝗇 𝗎𝗇𝗅𝗈𝖼𝗄 𝗇𝖾𝗐 𝗌𝗉𝖺𝗍𝗂𝖺𝗅 𝗉𝗈𝗌𝗌𝗂𝖻𝗂𝗅𝗂𝗍𝗂𝖾𝗌.
𝖲𝗈, 𝗐𝗁𝖾𝗇 𝖽𝖾𝗌𝗂𝗀𝗇𝗂𝗇𝗀 𝗁𝖾𝗋 𝗈𝗐𝗇 𝖻𝖾𝖽𝗋𝗈𝗈𝗆, 𝗌𝗁𝖾 𝖼𝗁𝗈𝗌𝖾 𝖪𝖨𝖬𝖴’𝗌 𝖯𝖺𝗉𝖾𝗋 𝖱𝗂𝖼𝖾 𝖡𝖺𝗅𝗅 𝖯𝖾𝗇𝖽𝖺𝗇𝗍—𝖺 𝗉𝗈𝖾𝗍𝗂𝖼 𝗇𝗈𝖽 𝗍𝗈 𝗍𝗁𝖺𝗍 𝗌𝖾𝗇𝗌𝖾 𝗈𝖿 𝗅𝗂𝖻𝖾𝗋𝖺𝗍𝗂𝗈𝗇. 𝖲𝗁𝖾 𝖾𝗇𝖼𝗈𝗎𝗋𝖺𝗀𝖾𝗌 𝗈𝗍𝗁𝖾𝗋𝗌 𝗍𝗈 𝗋𝖾𝗍𝗁𝗂𝗇𝗄 𝗍𝗁𝖾𝗂𝗋 𝗅𝗂𝗀𝗁𝗍𝗂𝗇𝗀 𝗅𝖺𝗒𝗈𝗎𝗍𝗌 𝗍𝗈𝗈. 𝖣𝗈𝗇’𝗍 𝖻𝖾 𝖼𝗈𝗇𝖿𝗂𝗇𝖾𝖽 𝖻𝗒 “𝗐𝗁𝖺𝗍’𝗌 𝗌𝗎𝗉𝗉𝗈𝗌𝖾𝖽 𝗍𝗈 𝖻𝖾”—𝗅𝖾𝗍 𝗅𝗂𝗀𝗁𝗍𝗂𝗇𝗀 𝖻𝖾𝖼𝗈𝗆𝖾 𝗉𝖺𝗋𝗍 𝗈𝖿 𝗍𝗁𝖾 𝗌𝗉𝖺𝗍𝗂𝖺𝗅 𝖽𝗂𝖺𝗅𝗈𝗀𝗎𝖾, 𝗇𝗈𝗍 𝗃𝗎𝗌𝗍 𝖺 𝖿𝗎𝗇𝖼𝗍𝗂𝗈𝗇𝖺𝗅 𝖺𝖿𝗍𝖾𝗋𝗍𝗁𝗈𝗎𝗀𝗁𝗍.
The Ideal Architecture
𝖳𝗌𝖺𝗂’𝗌 𝖽𝖾𝗌𝗂𝗀𝗇 𝗁𝖾𝗋𝗈 𝗂𝗌 𝖱𝖾𝗆 𝖪𝗈𝗈𝗅𝗁𝖺𝖺𝗌 𝗈𝖿 𝖮𝖬𝖠. 𝖥𝗈𝗋 𝗁𝖾𝗋, 𝗁𝗂𝗌 𝖪𝗎𝗇𝗌𝗍𝗁𝖺𝗅 𝗂𝗇 𝖱𝗈𝗍𝗍𝖾𝗋𝖽𝖺𝗆 𝗂𝗌 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖺𝗅 𝗉𝖾𝗋𝖿𝖾𝖼𝗍𝗂𝗈𝗇. 𝖲𝗂𝗍𝗎𝖺𝗍𝖾𝖽 𝖻𝖾𝗍𝗐𝖾𝖾𝗇 𝗍𝗁𝖾 𝖼𝗂𝗍𝗒 𝖺𝗇𝖽 𝖺 𝗉𝖺𝗋𝗄, 𝗍𝗁𝖾 𝖻𝗎𝗂𝗅𝖽𝗂𝗇𝗀 𝖺𝖼𝗍𝗌 𝖺𝗌 𝖺 𝗍𝗋𝖺𝗇𝗌𝗂𝗍𝗂𝗈𝗇𝖺𝗅 𝖽𝖾𝗏𝗂𝖼𝖾: 𝗈𝗇𝖾 𝗌𝗂𝖽𝖾 𝖿𝖺𝖼𝗂𝗇𝗀 𝗍𝗁𝖾 𝗎𝗋𝖻𝖺𝗇 𝗀𝗋𝗂𝖽, 𝗍𝗁𝖾 𝗈𝗍𝗁𝖾𝗋 𝗈𝗉𝖾𝗇 𝗍𝗈 𝗀𝗋𝖾𝖾𝗇 𝗌𝗉𝖺𝖼𝖾—𝖾𝖺𝖼𝗁 𝖿𝖺ç𝖺𝖽𝖾 𝖺𝗇𝖽 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅 𝖼𝖺𝗋𝖾𝖿𝗎𝗅𝗅𝗒 𝗋𝖾𝗌𝗉𝗈𝗇𝖽𝗂𝗇𝗀 𝗍𝗈 𝗂𝗍𝗌 𝖼𝗈𝗇𝗍𝖾𝗑𝗍.
𝖶𝗁𝖺𝗍 𝖺𝗆𝖺𝗓𝖾𝗌 𝗁𝖾𝗋 𝗂𝗌 𝗍𝗁𝖾 𝗊𝗎𝗂𝖾𝗍 𝖾𝖿𝖿𝗈𝗋𝗍𝗅𝖾𝗌𝗌𝗇𝖾𝗌𝗌 𝗈𝖿 𝗍𝗁𝖾 𝗌𝗍𝗋𝗎𝖼𝗍𝗎𝗋𝖾. 𝖤𝗑𝗉𝗈𝗌𝖾𝖽 𝖻𝖾𝖺𝗆𝗌, 𝖺𝖿𝖿𝗈𝗋𝖽𝖺𝖻𝗅𝖾 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅𝗌—𝗒𝖾𝗍 𝗎𝗇𝖽𝖾𝗋 𝖪𝗈𝗈𝗅𝗁𝖺𝖺𝗌’𝗌 𝗈𝗋𝖼𝗁𝖾𝗌𝗍𝗋𝖺𝗍𝗂𝗈𝗇, 𝗍𝗁𝖾𝗒 𝖿𝖾𝖾𝗅 𝖼𝗈𝗁𝖾𝗋𝖾𝗇𝗍, 𝖾𝗏𝖾𝗇 𝖾𝗅𝖾𝗀𝖺𝗇𝗍. 𝖳𝗁𝗂𝗌 𝗎𝗇𝗉𝗋𝖾𝗍𝖾𝗇𝗍𝗂𝗈𝗎𝗌, 𝗎𝗇𝖿𝗈𝗋𝖼𝖾𝖽 𝖺𝗉𝗉𝗋𝗈𝖺𝖼𝗁 𝗍𝗈 𝖽𝖾𝗌𝗂𝗀𝗇 𝗉𝗋𝗈𝖿𝗈𝗎𝗇𝖽𝗅𝗒 𝗌𝗁𝖺𝗉𝖾𝖽 𝗁𝗈𝗐 𝖳𝗌𝖺𝗂 𝗉𝖾𝗋𝖼𝖾𝗂𝗏𝖾𝗌 𝖺𝗇𝖽 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾𝗌 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋𝖾.
Passive Positivity, Intentional Choices
𝖡𝖾𝗁𝗂𝗇𝖽 𝖳𝗌𝖺𝗂’𝗌 𝗌𝖾𝖾𝗆𝗂𝗇𝗀𝗅𝗒 𝖾𝖿𝖿𝗈𝗋𝗍𝗅𝖾𝗌𝗌 𝖽𝖾𝗌𝗂𝗀𝗇 𝗅𝗂𝖾𝗌 𝖼𝖺𝗋𝖾𝖿𝗎𝗅 𝖽𝖾𝗅𝗂𝖻𝖾𝗋𝖺𝗍𝗂𝗈𝗇 𝖺𝗇𝖽 𝗍𝗁𝗈𝗎𝗀𝗁𝗍𝖿𝗎𝗅 𝗍𝗋𝖺𝖽𝖾-𝗈𝖿𝖿𝗌.“𝖣𝖾𝗌𝗂𝗀𝗇 𝗂𝗌𝗇’𝗍 𝗃𝗎𝗌𝗍 𝖺𝖻𝗈𝗎𝗍 𝗌𝗈𝗅𝗏𝗂𝗇𝗀 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝗌—𝗂𝗍’𝗌 𝖺 𝗐𝖺𝗒 𝗈𝖿 𝗅𝗂𝗏𝗂𝗇𝗀. 𝖨𝗍’𝗌 𝖺𝖻𝗈𝗎𝗍 𝖿𝗂𝗇𝖽𝗂𝗇𝗀 𝗉𝗈𝗌𝗌𝗂𝖻𝗂𝗅𝗂𝗍𝗂𝖾𝗌 𝗐𝗂𝗍𝗁𝗂𝗇 𝖼𝗈𝗇𝗌𝗍𝗋𝖺𝗂𝗇𝗍𝗌, 𝖺𝗇𝖽 𝖼𝗅𝖺𝗋𝗂𝗍𝗒 𝗐𝗂𝗍𝗁𝗂𝗇 𝖺𝗆𝖻𝗂𝗀𝗎𝗂𝗍𝗒.”
𝖲𝗁𝖾 𝗃𝗈𝗄𝖾𝗌 𝗍𝗁𝖺𝗍 𝗁𝖾𝗋 𝗅𝗂𝖿𝖾 𝖼𝗈𝗎𝗅𝖽 𝖻𝖾 𝗌𝗎𝗆𝗆𝖾𝖽 𝗎𝗉 𝖺𝗌 “𝗉𝖺𝗌𝗌𝗂𝗏𝖾 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝗂𝗍𝗒.” 𝖮𝗇 𝗍𝗁𝖾 𝗌𝗎𝗋𝖿𝖺𝖼𝖾, 𝗂𝗍 𝗆𝖺𝗒 𝗅𝗈𝗈𝗄 𝗅𝗂𝗄𝖾 𝗌𝖾𝗍𝗍𝗅𝗂𝗇𝗀, 𝖻𝗎𝗍 𝗂𝗇 𝗍𝗋𝗎𝗍𝗁, 𝖾𝗏𝖾𝗋𝗒 𝖽𝖾𝗍𝗈𝗎𝗋 𝖺𝗇𝖽 𝖽𝖾𝖼𝗂𝗌𝗂𝗈𝗇 𝗁𝖺𝗌 𝖻𝖾𝖾𝗇 𝗆𝖺𝖽𝖾 𝗐𝗂𝗍𝗁 𝗂𝗇𝗍𝖾𝗇𝗍𝗂𝗈𝗇—𝖼𝗁𝗈𝗈𝗌𝗂𝗇𝗀 𝗐𝗁𝖺𝗍’𝗌 𝗆𝗈𝗌𝗍 𝗋𝗂𝗀𝗁𝗍 𝖿𝗈𝗋 𝗁𝖾𝗋 𝗂𝗇 𝖾𝖺𝖼𝗁 𝗆𝗈𝗆𝖾𝗇𝗍.𝖳𝗁𝗂𝗌 𝗆𝗂𝗇𝖽𝗌𝖾𝗍 𝗉𝖾𝗋𝗆𝖾𝖺𝗍𝖾𝗌 𝗁𝖾𝗋 𝖽𝖾𝗌𝗂𝗀𝗇: 𝗇𝗈𝗍 𝖺𝖻𝗈𝗎𝗍 𝖿𝗅𝖺𝗌𝗁𝗒 𝖿𝗈𝗋𝗆𝗌 𝗈𝗋 𝖼𝗁𝖺𝗌𝗂𝗇𝗀 𝗍𝗋𝖾𝗇𝖽𝗌, 𝖻𝗎𝗍 𝖺𝖻𝗈𝗎𝗍 𝖺𝗌𝗄𝗂𝗇𝗀 𝗁𝗈𝗇𝖾𝗌𝗍𝗅𝗒—𝖶𝗁𝖺𝗍’𝗌 𝗍𝗋𝗎𝗅𝗒 𝗂𝗆𝗉𝗈𝗋𝗍𝖺𝗇𝗍 𝗍𝗈 𝗆𝖾 𝗂𝗇 𝗍𝗁𝗂𝗌 𝗌𝗉𝖺𝖼𝖾?
𝖨𝗇 𝗍𝗁𝖾 𝖾𝗇𝖽, 𝗌𝗁𝖾’𝗌 𝖼𝗋𝖾𝖺𝗍𝖾𝖽 𝖺 𝗁𝗈𝗆𝖾 𝗍𝗁𝖺𝗍 𝗋𝖾𝖿𝗅𝖾𝖼𝗍𝗌 𝗐𝗁𝗈 𝗌𝗁𝖾 𝗂𝗌—𝗈𝗇𝖾 𝗍𝗁𝖺𝗍 𝖻𝗋𝖾𝖺𝗍𝗁𝖾𝗌, 𝖾𝗏𝗈𝗅𝗏𝖾𝗌, 𝖺𝗇𝖽 𝗁𝗈𝗅𝖽𝗌 𝗌𝗉𝖺𝖼𝖾 𝖿𝗈𝗋 𝗍𝗁𝖾 𝗅𝗂𝖿𝖾 𝗌𝗁𝖾 𝗐𝖺𝗇𝗍𝗌 𝗍𝗈 𝗅𝗂𝗏𝖾.
𝖳𝖾𝗑𝗍｜𝖪𝖨𝖬𝖴 𝖽𝖾𝗌𝗂𝗀𝗇
𝖯𝗁𝗈𝗍𝗈𝗀𝗋𝖺𝗉𝗁𝗒｜𝖻_𝖼𝗋𝖾𝖺𝗍𝗂𝗏𝖾_𝗌𝗉𝖺𝖼𝖾
